
I said a while ago that I thought it should be included in the 10 best alt-country albums of all time and the deluxe edition is even better.
It features the original album remastered and sounding crisper than ever, in addition, 3 songs have been found and added as bonus tracks - "Down The Big Road Blues", "(We Are So) Out Of Touch" - the first version later rerecorded with a different arrangement for the `Essence' album and "Still I Long For Your Kiss" - the Tony Brown produced version that was on `The Horse Whisperer' soundtrack.
Disc 2 features a previously unreleased concert from July, 1998, recorded by WXPN Radio - found and remastered.
Disc: 1
1. Right In Time
2. Car Wheels On A Gravel Road
3. 2 Kool 2 Be 4 Gotten
4. Drunken Angel
5. Concrete And Barbed Wire
6. Lake Charles
7. Can't Let Go
8. I Lost It
9. Metal Firecracker
10. Greenville
See all 16 tracks on this disc
Disc: 2
1. Pineola
2. Something About What Happens When We Talk
3. Car Wheels On A Gravel Road
4. Metal Firecracker
5. Right In Time
6. Drunken Angel
7. Greenville
8. Still I Long For Your Kiss
9. 2 Kool 2 Be 4 Gotten
10. Can't Let Go
See all 13 tracks on this disc
Amazon reviews it thus, giving 5 stars:
This 1998 Grammy-winning release--Lucinda Williams's popular breakthrough--certainly merits the double-disc "deluxe edition" treatment. And it's hard to find significant fault with anything here: the remastered version of the original album, the second-disc live performance from that year featuring guitarists Kenny Vaughn and Bo Ramsey, and the smattering of outtakes (highlighted by a slower, sadder version of "Out of Touch" than the one Williams ended up releasing). Yet the set misses a glorious opportunity to document one of the more laborious (and notorious) recording projects, one that saw Williams switch cities, studios, and producers three times before she was satisfied with the results. And while the results confirm her judgment, fans would likely find it fascinating to hear a lot more takes from the original Austin sessions (featuring accordion master Flaco Jimenez and keyboardist Ian McLagan) or outtakes from the Nashville sessions with producer Steve Earle, before Williams overhauled the project in Los Angeles with Springsteen keyboardist Roy Bittan. Such a set could have put a revelatory spotlight on the creative process that resulted in an album widely regarded as Williams's masterpiece; instead, this release is more like souvenir snapshots. --Don McLeese
TO WIN all you have to do is leave a comment on this blog with your email address and why you think you deserve a signed copy of Car Wheels On a Gravel Road. Good luck!